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Its rounded diaphragm makes out of focus elements appear more natural, and its Extra-low Dispersion (ED) glass ensures superior sharpness and color performance. The lens produces a smaller image circle (the size of the image projected onto the sensor), enabling a smaller lens diameter and optimal image quality from center to edge to corner. The AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED combines a wider angle-of-view with optical characteristics that are optimized for advanced DX-format Nikon D-SLR camera sensors. Superior performance - Advanced Nikon lens technologies Rugged, lightweight and versatile, the AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED is a fantastic travel and adventure companion. Whether shooting stunning natural landscapes, dynamic interior spaces or expansive building exteriors, the AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED delivers a dramatic wide-angle perspective and tack-sharp, color-rich images. Incredible wide-angle views - Dramatic stills and HD videos Optimized for DX-format cameras, the AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED is a popular choice for travel, architecture and landscape photography and establishing shots when recording HD video. Ideal for shooting large building exteriors, narrow interiors and vast natural landscapes, this f/4 fixed-aperture zoom lens delivers consistent exposure, tack-sharp images and vibrant colors. High-performance, ultra-wide-angle fixed-aperture zoom
WIDE ANGLE TOUCHCOPY 12 KEY PROFESSIONAL
I have absolutely no regrets from this purchase, the only regret is the once-in-a-lifetime places that I was not able to capture with this lens because of my previous purchase of the Sigma, and because I put stock in the opinions of people on the web that I thought knew what they were talking about, instead of just going with Nikkor professional lenses, such as this one. If you want to save money, then of course go for the cheaper lens (which happens to be wider), but if you want demonstrated optical quality and mechanical reliability, and a lens that you will keep for a lifetime, do not hesitate to sacrifice the 2mm, and choose the 12-24 lens.
WIDE ANGLE TOUCHCOPY 12 KEY PRO
I have played with the 10-24, and you can definitely tell which lens is meant for the pro vs which one is meant for the amateur. I also think it is a professional lens, which it shows clearly, and therefore I would strongly urge anyone who thinks that it would be better to get the 10-24 "consumer" version to instead consider the 12-24. I strongly recommend it to anyone who is into landscapes, as I am. It's exactly what I have come to expect for a "gold-ring" Nikkor, and it officially ends my forays into third-party lenses. The lens performed flawlessly in -20 degrees in February north of Fairbanks, or on the sands of Olympic National Park, on the Pacific this past August.
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The 12-24 Nikkor lens is a pleasure to use, super-bright, and exceedingly well made. I don't miss the extra 2mm compared to the 10mm Sigma, because in fact I ended up gaining 1mm, as I had to always step down the Sigma to 13mm to get acceptable pictures. The pictures are tack-sharp at almost every focal length. Everything that was wrong with the Sigma is RIGHT with the 12-24 Nikkor. And I didn't trade in the Sigma, just put it back in its box, with some vague ideas of selling it or whatnot, but I'm just having too good a time with my 12-24 Nikkor f/4. So I finally broke down and bought the 12-24 f4G, and never looked back. And noticeable softness, especially compared to all the other much better "gold-ring" Nikkor lenses, even to the point that my non-photographer wife could spot which lens I used by just glancing at the picture. Noticeably warmer pictures than with my Nikkor lenses, although same WB. ven after running the picture through programs like DxO Pro Optics. I was so WRONG!! I owned the Sigma for 2+ years, and it was an ok lens, but there were many things wrong with it: rectilinear aberration at focal lengths shorter than 13 mm, e. I have 4 main lenses that I use for most of my work, but until recently, for really wide angles I owned the Sigma 10-20, which I thought would be the best lens for me, after doing a LOT of researching. From Virginia to Alaska, I shoot landscapes of all types.
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I am a landscape photographer, and landscapes are my passion.